Of Concrete and Spirit: The Monumentality of The Brutist

By eMe Alonso

1-minute read. There are films that are simply projected on a screen. And then there are others —like Brady Corbet’s The Brutalist— that are inhabited, like a bare building facing winter. This is not a film: it’s a manifesto with tectonic ambition. In an age of liquid cinema, Corbet dares to pour concrete. Adrien Brody…